MINT (BUMPY MIX)
30s preview
- Key
- 8B · C major
- BPM
- 140
- Half-time
- 70
- Open Key
- 1d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:12
- Released
- 2025
- Genre
- Uk Garage
- Loudness
- -3.1 dB
- Dynamics
- 12.0 dB
- ISRC
- USA2P2546893
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in C major (8B), MINT (BUMPY MIX) is a driving up-tempo uk garage production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Oppidan's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 98% of Oppidan's catalogue
- Tempo:
- faster than 89% of Oppidan's catalogue
- Energy:
- hotter than 79% of Oppidan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is MINT (BUMPY MIX) in?
MINT (BUMPY MIX) by Oppidan is in C major, or 8B on the Camelot wheel.
What BPM is MINT (BUMPY MIX)?
MINT (BUMPY MIX) runs at 140 BPM, a driving up-tempo track.
What mixes well with MINT (BUMPY MIX)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is MINT (BUMPY MIX) good for peak time?
With energy 90 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Temptations (feat. Charlotte Meldrum) [Warwick Remix] by Oppidan cover art](https://i.scdn.co/image/ab67616d00001e02a958e7d22f89f226aa56ec44){kind=small}
How to mix it
In 8B at 140 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More uk garage
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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