![CIRCLES (feat. Paige Eliza) [Oppidan Remix] by Oppidan cover art](https://i.scdn.co/image/ab67616d00001e02e52246c5486d492710fd9f0a)
CIRCLES (feat. Paige Eliza) [Oppidan Remix]
30s preview
- Key
- 5A · C minor
- BPM
- 137
- Open Key
- 10m
- Energy
- 81/100
- Pop
- 33/100
- Length
- 3:13
- Released
- 2023
- Genre
- Uk Garage
- Loudness
- -2.8 dB
- Dynamics
- 17.3 dB
- ISRC
- UKQNV2300167
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo uk garage cut, CIRCLES (feat. Paige Eliza) [Oppidan Remix] sits in C minor (5A) at 137 BPM. The feel is punchy, neutral in mood. Its spectrum is centred in the low-mids, warm and bass-forward. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 97% of Oppidan's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 87% of Oppidan's catalogue
- Reach:
- better known than 77% of Oppidan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is CIRCLES (feat. Paige Eliza) [Oppidan Remix] in?
CIRCLES (feat. Paige Eliza) [Oppidan Remix] by Oppidan is in C minor, or 5A on the Camelot wheel.
What BPM is CIRCLES (feat. Paige Eliza) [Oppidan Remix]?
CIRCLES (feat. Paige Eliza) [Oppidan Remix] runs at 137 BPM, a driving up-tempo track.
What mixes well with CIRCLES (feat. Paige Eliza) [Oppidan Remix]?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is CIRCLES (feat. Paige Eliza) [Oppidan Remix] good for peak time?
With energy 81 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 137 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More uk garage
More from Oppidan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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