Know Myself
30s preview
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 80/100
- Pop
- 27/100
- Length
- 3:52
- Released
- 2022
- Genre
- Uk Garage
- Loudness
- -4.2 dB
- Dynamics
- 10.7 dB
- ISRC
- GB8KE2204814
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Know Myself is a peak-time tempo uk garage track in F minor (4A) at 132 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Slower than 87% of Oppidan's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 83% of Oppidan's catalogue
- Groove:
- groovier than 77% of Oppidan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Know Myself in?
Know Myself by Oppidan is in F minor, or 4A on the Camelot wheel.
What BPM is Know Myself?
Know Myself runs at 132 BPM, a peak-time tempo track.
What mixes well with Know Myself?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Know Myself good for peak time?
With energy 80 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![CIRCLES (feat. Paige Eliza) [Oppidan Remix] by Oppidan cover art](https://i.scdn.co/image/ab67616d00001e02e52246c5486d492710fd9f0a){kind=small}
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Oppidan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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