Too Slow (All Night) by Oppidan cover art

Too Slow (All Night)

Oppidan

Key
3A · B♭ minor
BPM
132
Open Key
8m
Energy
67/100
Pop
20/100
Length
2:51
Released
2025
Genre
Uk Garage
Loudness
-7.1 dB
ISRC
GBCFB2500550

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Too Slow (All Night) is a peak-time tempo uk garage track in B♭ minor (3A) at 132 BPM. The feel is bright and euphoric. It is vocal-led. Spoken-word passages run through it. Brighter than 89% of Oppidan's catalogue.

Tempo:
slower than 87% of Oppidan's catalogue
Energy:
calmer than 85% of Oppidan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood75Bright
Groove81
Acoustic14
Instrumental1
Live28
Speech45

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Too Slow (All Night) in?

Too Slow (All Night) by Oppidan is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Too Slow (All Night)?

Too Slow (All Night) runs at 132 BPM, a peak-time tempo track.

What mixes well with Too Slow (All Night)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Too Slow (All Night) good for peak time?

With energy 67 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Oppidan

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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