Daisy Chain by Overmono cover art

Daisy Chain

Overmono

30s preview

Key
3A · B♭ minor
BPM
132
Open Key
8m
Energy
68/100
Pop
26/100
Length
6:46
Released
2018
Genre
Techno
Loudness
-8.4 dB
Dynamics
9.1 dB
ISRC
UKLTE1800081

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Daisy Chain runs 132 BPM in B♭ minor (3A), a peak-time tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More bass-heavy than 96% of Overmono's catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 84% of Overmono's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood14Dark
Groove76
Acoustic10
Instrumental93
Live11
Speech6
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Daisy Chain in?

Daisy Chain by Overmono is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Daisy Chain?

Daisy Chain runs at 132 BPM, a peak-time tempo track.

What mixes well with Daisy Chain?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Daisy Chain good for peak time?

With energy 68 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#Track

More techno

More from Overmono

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track