Yosemite by Interplanetary Criminal cover art

30s preview

Key
4A · F minor
BPM
130
Open Key
9m
Energy
93/100
Pop
44/100
Length
4:35
Released
2024
Genre
Uk Garage
Loudness
-6.5 dB
Dynamics
14.1 dB
ISRC
USZXT2557092

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Yosemite is a peak-time tempo uk garage track in F minor (4A) at 130 BPM. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 99% of Interplanetary Criminal's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 91% of Interplanetary Criminal's catalogue
Tempo:
slower than 87% of Interplanetary Criminal's catalogue
Brightness:
darker than 87% of Interplanetary Criminal's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood34Balanced
Groove68
Acoustic4
Instrumental65
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Yosemite in?

Yosemite by Interplanetary Criminal is in F minor, or 4A on the Camelot wheel.

What BPM is Yosemite?

Yosemite runs at 130 BPM, a peak-time tempo track.

What mixes well with Yosemite?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Yosemite good for peak time?

With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Interplanetary Criminal

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.