Interbass by MJ Cole cover art

Interbass

MJ Cole

30s preview

Key
6B · B♭ major
BPM
130
Open Key
11d
Energy
91/100
Pop
0/100
Length
4:50
Released
2017
Genre
Uk Garage
Loudness
-3.8 dB
Dynamics
11.9 dB
ISRC
QM6N21777130

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Interbass is a peak-time tempo uk garage track in B♭ major (6B) at 130 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of MJ Cole's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 96% of MJ Cole's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood53Balanced
Groove70
Acoustic0
Instrumental72
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Interbass in?

Interbass by MJ Cole is in B♭ major, or 6B on the Camelot wheel.

What BPM is Interbass?

Interbass runs at 130 BPM, a peak-time tempo track.

What mixes well with Interbass?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Interbass good for peak time?

With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 130 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from MJ Cole

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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