Monsters of the Deep
30s preview
- Key
- 6A · G minor
- BPM
- 130
- Open Key
- 11m
- Energy
- 84/100
- Pop
- 1/100
- Length
- 7:11
- Released
- 2007
- Genre
- Progressive House
- Loudness
- -11.0 dB
- Dynamics
- 14.3 dB
- ISRC
- GBHFW0700945
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive house cut, Monsters of the Deep sits in G minor (6A) at 130 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. Faster than 90% of Eelke Kleijn's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 88% of Eelke Kleijn's catalogue
- Low end:
- more bass-heavy than 82% of Eelke Kleijn's catalogue
- Energy:
- hotter than 75% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Monsters of the Deep in?
Monsters of the Deep by Eelke Kleijn is in G minor, or 6A on the Camelot wheel.
What BPM is Monsters of the Deep?
Monsters of the Deep runs at 130 BPM, a peak-time tempo track.
What mixes well with Monsters of the Deep?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Monsters of the Deep good for peak time?
With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 130 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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