Keep On Dancin
30s preview
- BPM
- 130
- Open Key
- 5m
- Energy
- 84/100
- Pop
- 2/100
- Length
- 7:44
- Released
- 2024
- Album
- Retrospective Three
- Genre
- House
- Loudness
- -11.1 dB
- Dynamics
- 16.7 dB
- ISRC
- US92E0610458
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Keep On Dancin is a peak-time tempo house track in D♭ minor (12A) at 130 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Faster than 98% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 97% of Todd Terry's catalogue
- Groove:
- less groove-driven than 79% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Keep On Dancin in?
Keep On Dancin by Todd Terry is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Keep On Dancin?
Keep On Dancin runs at 130 BPM, a peak-time tempo track.
What mixes well with Keep On Dancin?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Keep On Dancin good for peak time?
With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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