Work 2007 - Riffs & Rays Remix
- BPM
- 130
- Open Key
- 9d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2002
- Album
- Work 2007
- Genre
- House
- Loudness
- -6.9 dB
- ISRC
- GBCFZ0701298
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work 2007 - Dancing DJs Remixremix4B · 142
- Work 2007 - Deep Life Vocal Remixremix12A · 128
- Work 2007 - Extended Mixversion9B · 130
- Work 2007 - House Agents Remixremix8B · 128
- Work 2007 - Kenny Hayes Clubs Addiction Remixremix4B · 128
- Work 2007 - Kenny Hayes Dub Additiction Remixremix3B · 128
Work 2007 - Riffs & Rays Remix is a peak-time tempo house track in A♭ major (4B) at 130 BPM. A 2002 production that still circulates in sets. More underground than 99% of Masters At Work's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 92% of Masters At Work's catalogue
- Groove:
- less groove-driven than 88% of Masters At Work's catalogue
- Energy:
- hotter than 86% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Work 2007 - Riffs & Rays Remix in?
Work 2007 - Riffs & Rays Remix by Masters At Work is in A♭ major, or 4B on the Camelot wheel.
What BPM is Work 2007 - Riffs & Rays Remix?
Work 2007 - Riffs & Rays Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Work 2007 - Riffs & Rays Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Work 2007 - Riffs & Rays Remix good for peak time?
With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.