Loss of Self Identity by Interplanetary Criminal cover art

Loss of Self Identity

Interplanetary Criminal

Key
10A · B minor
BPM
130
Open Key
3m
Energy
96/100
Pop
0/100
Length
4:26
Released
2020
Genre
Uk Garage
Loudness
-7.8 dB
ISRC
UKU2N2000035

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Loss of Self Identity: peak-time tempo uk garage, B minor (10A), 130 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Interplanetary Criminal's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 87% of Interplanetary Criminal's catalogue
Energy:
hotter than 82% of Interplanetary Criminal's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood44Balanced
Groove74
Acoustic3
Instrumental74
Live3
Speech17

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Loss of Self Identity in?

Loss of Self Identity by Interplanetary Criminal is in B minor, or 10A on the Camelot wheel.

What BPM is Loss of Self Identity?

Loss of Self Identity runs at 130 BPM, a peak-time tempo track.

What mixes well with Loss of Self Identity?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Loss of Self Identity good for peak time?

With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Interplanetary Criminal

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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