2CB
- BPM
- 130
- Open Key
- 3d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 3:02
- Released
- 2017
- Genre
- Uk Garage
- Loudness
- -3.8 dB
- ISRC
- UKJXX1700004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo uk garage cut, 2CB sits in D major (10B) at 130 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Hotter than 99% of Zed Bias's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Zed Bias's catalogue
- Brightness:
- darker than 76% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 2CB in?
2CB by Zed Bias is in D major, or 10B on the Camelot wheel.
What BPM is 2CB?
2CB runs at 130 BPM, a peak-time tempo track.
What mixes well with 2CB?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is 2CB good for peak time?
With energy 100 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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