CHARGIE - Bad Patterns Edit
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 35/100
- Length
- 3:01
- Released
- 2025
- Album
- CHARGIE (Bad Patterns Edit)
- Genre
- Drum N Bass
- Loudness
- -5.1 dB
- Dynamics
- 9.7 dB
- ISRC
- UK9AV2501095
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (8B at 87 BPM), this version runs 43 BPM faster and moves the key from 8B to 3A.
CHARGIE - Bad Patterns Edit is a peak-time tempo drum n bass track in B♭ minor (3A) at 130 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 94% of Sigma's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 91% of Sigma's catalogue
- Low end:
- more bass-heavy than 89% of Sigma's catalogue
- Groove:
- groovier than 76% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is CHARGIE - Bad Patterns Edit in?
CHARGIE - Bad Patterns Edit by Sigma is in B♭ minor, or 3A on the Camelot wheel.
What BPM is CHARGIE - Bad Patterns Edit?
CHARGIE - Bad Patterns Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with CHARGIE - Bad Patterns Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is CHARGIE - Bad Patterns Edit good for peak time?
With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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