When Angels Sing (main mix) by Todd Edwards cover art

When Angels Sing (main mix)

Todd Edwards

Key
3A · B♭ minor
BPM
130
Open Key
8m
Energy
88/100
Pop
0/100
Length
5:56
Released
2007
Genre
Uk Garage
Loudness
-6.2 dB
ISRC
GBCPZ0817856

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

When Angels Sing (main mix) is a peak-time tempo uk garage track in B♭ minor (3A) at 130 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 82% of Todd Edwards's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood89Bright
Groove78
Acoustic3
Instrumental71
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is When Angels Sing (main mix) in?

When Angels Sing (main mix) by Todd Edwards is in B♭ minor, or 3A on the Camelot wheel.

What BPM is When Angels Sing (main mix)?

When Angels Sing (main mix) runs at 130 BPM, a peak-time tempo track.

What mixes well with When Angels Sing (main mix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is When Angels Sing (main mix) good for peak time?

With energy 88 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Todd Edwards

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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