Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit
- BPM
- 130
- Open Key
- 3m
- Energy
- 89/100
- Pop
- 24/100
- Length
- 3:22
- Released
- 2025
- Album
- Seven Mile (feat. Moodymann) [Remixes]
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- USNRS2544127
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Seven Mile (feat. Moodymann) - Dennis Quin Remix Short Editremix3B · 126
- Seven Mile (feat. Moodymann) - Rocco Rodamaal Deep Down Mix Short Editversion4A · 119
- Seven Mile (feat. Moodymann)original1B · 126
- Seven Mile (feat. Moodymann) - Kai Alce NDATL Remix Short Editremix1A · 126
- Seven Mile (feat. Moodymann) - Charles Levine Remix Short Editremix1B · 127
- Seven Mile (feat. Moodymann) - Louie Instrumental Demo Short Editversion1B · 126
Against the original (1B at 126 BPM), this version runs 4 BPM faster and moves the key from 1B to 10A.
Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit runs 130 BPM in B minor (10A), a peak-time tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Faster than 98% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 96% of Louie Vega's catalogue
- Energy:
- hotter than 86% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit in?
Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit by Louie Vega is in B minor, or 10A on the Camelot wheel.
What BPM is Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit?
Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Seven Mile (feat. Moodymann) - Charles Levine Wild Version Short Edit good for peak time?
With energy 89 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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