Black Light
30s preview
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 7:24
- Released
- 2019
- Album
- Rhythm 494 EP
- Genre
- Minimal
- Loudness
- -9.1 dB
- Dynamics
- 11.7 dB
- ISRC
- GBK6Y1945502
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Black Light: peak-time tempo minimal, E minor (9A), 130 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of East End Dubs's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 94% of East End Dubs's catalogue
- Groove:
- less groove-driven than 92% of East End Dubs's catalogue
- Tempo:
- faster than 86% of East End Dubs's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Black Light in?
Black Light by East End Dubs is in E minor, or 9A on the Camelot wheel.
What BPM is Black Light?
Black Light runs at 130 BPM, a peak-time tempo track.
What mixes well with Black Light?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Black Light good for peak time?
With energy 90 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More minimal
More from East End Dubs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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