We Ain't Taking Orders - Main Phase Remix
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 86/100
- Pop
- 3/100
- Length
- 6:12
- Released
- 2021
- Album
- We Ain't Taking Orders (Main Phase Remix)
- Genre
- Uk Garage
- Loudness
- -7.3 dB
- Dynamics
- 10.9 dB
- ISRC
- UKN6K2003363
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo uk garage cut, We Ain't Taking Orders - Main Phase Remix sits in D♭ major (3B) at 130 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Main Phase's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 90% of Main Phase's catalogue
- Reach:
- more underground than 85% of Main Phase's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is We Ain't Taking Orders - Main Phase Remix in?
We Ain't Taking Orders - Main Phase Remix by Main Phase is in D♭ major, or 3B on the Camelot wheel.
What BPM is We Ain't Taking Orders - Main Phase Remix?
We Ain't Taking Orders - Main Phase Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with We Ain't Taking Orders - Main Phase Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is We Ain't Taking Orders - Main Phase Remix good for peak time?
With energy 86 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More uk garage
More from Main Phase
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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