I Love Liverpool (aka I Remember Liverpool)
- BPM
- 132
- Open Key
- 8m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2010
- Genre
- Uk Garage
- Loudness
- -4.3 dB
- ISRC
- GBCPZ1018016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Love Liverpool (aka I Remember Liverpool): peak-time tempo uk garage, B♭ minor (3A), 132 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Brighter than 99% of Todd Edwards's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Todd Edwards's catalogue
- Groove:
- groovier than 89% of Todd Edwards's catalogue
- Energy:
- hotter than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Love Liverpool (aka I Remember Liverpool) in?
I Love Liverpool (aka I Remember Liverpool) by Todd Edwards is in B♭ minor, or 3A on the Camelot wheel.
What BPM is I Love Liverpool (aka I Remember Liverpool)?
I Love Liverpool (aka I Remember Liverpool) runs at 132 BPM, a peak-time tempo track.
What mixes well with I Love Liverpool (aka I Remember Liverpool)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is I Love Liverpool (aka I Remember Liverpool) good for peak time?
With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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