Counting (main mix)
30s preview
- Key
- 1B · B major
- BPM
- 132
- Open Key
- 6d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 3:39
- Released
- 2007
- Genre
- Uk Garage
- Loudness
- -6.9 dB
- Dynamics
- 9.7 dB
- ISRC
- GBCPZ0719589
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in B major (1B), Counting (main mix) is a peak-time tempo uk garage production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2007 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 87% of Todd Edwards's catalogue
- Energy:
- hotter than 76% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Counting (main mix) in?
Counting (main mix) by Todd Edwards is in B major, or 1B on the Camelot wheel.
What BPM is Counting (main mix)?
Counting (main mix) runs at 132 BPM, a peak-time tempo track.
What mixes well with Counting (main mix)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Counting (main mix) good for peak time?
With energy 86 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 132 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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