Saved (interlude)
- BPM
- 124
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 26/100
- Length
- 6:31
- Released
- 2006
- Genre
- Uk Garage
- Loudness
- -6.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in B minor (10A), Saved (interlude) is a club-tempo uk garage production. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 2006 production that still circulates in sets. Better known than 96% of Todd Edwards's catalogue.
- Tempo:
- slower than 92% of Todd Edwards's catalogue
- Energy:
- hotter than 83% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Saved (interlude) in?
Saved (interlude) by Todd Edwards is in B minor, or 10A on the Camelot wheel.
What BPM is Saved (interlude)?
Saved (interlude) runs at 124 BPM, a club-tempo track.
What mixes well with Saved (interlude)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Saved (interlude) good for peak time?
With energy 88 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
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How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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