Don't You Feel Me - Edit
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 17/100
- Length
- 2:45
- Released
- 2024
- Album
- Don't You Feel Me
- Genre
- House
- Loudness
- -7.2 dB
- Dynamics
- 11.5 dB
- ISRC
- USMKQ2400038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't You Feel Me - DJ Mixoriginal3A · 124
- Don't You Feel Meoriginal3A · 124
- Don't You Feel Me - Extended Mixversion3A · 124
Against the original (3A at 124 BPM), this version holds the same tempo in the same key.
Don't You Feel Me - Edit is a club-tempo house track in B♭ minor (3A) at 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 93% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 80% of Todd Terry's catalogue
- Brightness:
- brighter than 78% of Todd Terry's catalogue
- Groove:
- less groove-driven than 77% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don't You Feel Me - Edit in?
Don't You Feel Me - Edit by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Don't You Feel Me - Edit?
Don't You Feel Me - Edit runs at 124 BPM, a club-tempo track.
What mixes well with Don't You Feel Me - Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Don't You Feel Me - Edit good for peak time?
With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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