Work That Booty - Extended Mix
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 87/100
- Pop
- 1/100
- Length
- 6:12
- Released
- 2019
- Album
- Work That Booty
- Genre
- House
- Loudness
- -9.5 dB
- Dynamics
- 10.8 dB
- ISRC
- GBZ9E1940401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work That Bootyoriginal3B · 124
Against the original (3B at 124 BPM), this version holds the same tempo in the same key.
Work That Booty - Extended Mix is a club-tempo house track in D♭ major (3B) at 124 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 87% of Gene Farris's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 82% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Work That Booty - Extended Mix in?
Work That Booty - Extended Mix by Gene Farris is in D♭ major, or 3B on the Camelot wheel.
What BPM is Work That Booty - Extended Mix?
Work That Booty - Extended Mix runs at 124 BPM, a club-tempo track.
What mixes well with Work That Booty - Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Work That Booty - Extended Mix good for peak time?
With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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