Is It Wrong - Billon Remix
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 89/100
- Pop
- 2/100
- Length
- 7:18
- Released
- 2018
- Album
- Is It Wrong
- Genre
- Uk Garage
- Loudness
- -5.8 dB
- Dynamics
- 12.6 dB
- ISRC
- GBKPL1802098
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Is It Wrong - Main Mixoriginal10A · 124
- Is It Wrong - Todd Edwards Dubversion8A · 124
- Is It Wrong - Control-S Remixremix9B · 130
- Is It Wrong - Dub Mixversion10A · 124
Against the original (10A at 124 BPM), this version holds the same tempo and moves the key from 10A to 10B.
At 124 BPM in D major (10B), Is It Wrong - Billon Remix is a club-tempo uk garage production. The feel is punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. More treble-tilted than 96% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 92% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 88% of Todd Edwards's catalogue
- Brightness:
- darker than 87% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Is It Wrong - Billon Remix in?
Is It Wrong - Billon Remix by Todd Edwards is in D major, or 10B on the Camelot wheel.
What BPM is Is It Wrong - Billon Remix?
Is It Wrong - Billon Remix runs at 124 BPM, a club-tempo track.
What mixes well with Is It Wrong - Billon Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Is It Wrong - Billon Remix good for peak time?
With energy 89 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Love Is Gone (feat. Ami Carmine) [InHouse Dub] by Todd Terry cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/666f6fef44eff61f42f7.webp){kind=small}
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Hurry Up [Ministry of Sound] - Kerri's Again Mix by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e029caa1fa47c2656761c8e17d6){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.