Love Is Gone (feat. Ami Carmine) [InHouse Dub] by Todd Terry cover art

Love Is Gone (feat. Ami Carmine) [InHouse Dub]

Todd Terry

30s preview

Key
9B · G major
BPM
124
Open Key
2d
Energy
90/100
Pop
0/100
Length
5:02
Released
2017
Album
Love Is Gone (feat. Ami Carmine)
Genre
House
Loudness
-7.0 dB
Dynamics
10.7 dB
ISRC
NLF711710656

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 124 BPM), this version holds the same tempo and moves the key from 8B to 9B.

Love Is Gone (feat. Ami Carmine) [InHouse Dub]: club-tempo house, G major (9B), 124 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 89% of Todd Terry's catalogue
Brightness:
brighter than 86% of Todd Terry's catalogue
Tempo:
slower than 80% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood82Bright
Groove80
Acoustic0
Instrumental62
Live16
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Love Is Gone (feat. Ami Carmine) [InHouse Dub] in?

Love Is Gone (feat. Ami Carmine) [InHouse Dub] by Todd Terry is in G major, or 9B on the Camelot wheel.

What BPM is Love Is Gone (feat. Ami Carmine) [InHouse Dub]?

Love Is Gone (feat. Ami Carmine) [InHouse Dub] runs at 124 BPM, a club-tempo track.

What mixes well with Love Is Gone (feat. Ami Carmine) [InHouse Dub]?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Love Is Gone (feat. Ami Carmine) [InHouse Dub] good for peak time?

With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More house

#TrackKey·BPM

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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