Come on Now
30s preview
- BPM
- 124
- Open Key
- 9d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2018
- Genre
- House
- Loudness
- -8.7 dB
- Dynamics
- 11.7 dB
- ISRC
- USMKQ1800006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come on Now - Tee's Inhouse Mixoriginal4B · 124
Come on Now is a club-tempo house track in A♭ major (4B) at 124 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 80% of Todd Terry's catalogue
- Groove:
- groovier than 80% of Todd Terry's catalogue
- Low end:
- more bass-heavy than 77% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Come on Now in?
Come on Now by Todd Terry is in A♭ major, or 4B on the Camelot wheel.
What BPM is Come on Now?
Come on Now runs at 124 BPM, a club-tempo track.
What mixes well with Come on Now?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Come on Now good for peak time?
With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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