Hallelujah - Kaoz 6:23 Gospel Extended Mix by Kerri Chandler cover art

Hallelujah - Kaoz 6:23 Gospel Extended Mix

Kerri Chandler

30s preview

Key
9B · G major
BPM
124
Open Key
2d
Energy
91/100
Pop
0/100
Length
8:02
Released
1996
Album
Hallelujah
Genre
Deep House
Loudness
-9.5 dB
Dynamics
14.7 dB
ISRC
USA670601642

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 124 BPM), this version holds the same tempo and moves the key from 3A to 9B.

Hallelujah - Kaoz 6:23 Gospel Extended Mix runs 124 BPM in G major (9B), a club-tempo deep house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 1996 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue.

Energy:
hotter than 83% of Kerri Chandler's catalogue
Low end:
more treble-tilted than 78% of Kerri Chandler's catalogue
Tempo:
slower than 75% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood65Balanced
Groove80
Acoustic0
Instrumental84
Live35
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Hallelujah - Kaoz 6:23 Gospel Extended Mix in?

Hallelujah - Kaoz 6:23 Gospel Extended Mix by Kerri Chandler is in G major, or 9B on the Camelot wheel.

What BPM is Hallelujah - Kaoz 6:23 Gospel Extended Mix?

Hallelujah - Kaoz 6:23 Gospel Extended Mix runs at 124 BPM, a club-tempo track.

What mixes well with Hallelujah - Kaoz 6:23 Gospel Extended Mix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Hallelujah - Kaoz 6:23 Gospel Extended Mix good for peak time?

With energy 91 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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