Hallelujah - Qubiko Extended Remix
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -6.2 dB
- Dynamics
- 9.6 dB
- ISRC
- USA672200179
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
Against the original (3A at 124 BPM), this version holds the same tempo and moves the key from 3A to 11A.
Hallelujah - Qubiko Extended Remix is a club-tempo deep house track in F♯ minor (11A) at 124 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1996 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 85% of Kerri Chandler's catalogue
- Energy:
- hotter than 83% of Kerri Chandler's catalogue
- Low end:
- more bass-heavy than 82% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Qubiko Extended Remix in?
Hallelujah - Qubiko Extended Remix by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Hallelujah - Qubiko Extended Remix?
Hallelujah - Qubiko Extended Remix runs at 124 BPM, a club-tempo track.
What mixes well with Hallelujah - Qubiko Extended Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Hallelujah - Qubiko Extended Remix good for peak time?
With energy 91 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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