Right On Track - Radio Edit
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:35
- Released
- 2014
- Album
- Line of Fire
- Genre
- Tech House
- Label
- Blaufield Music
- Loudness
- -9.5 dB
- Dynamics
- 11.8 dB
- ISRC
- NLF711500218
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Right On Track - Original Mixoriginal10A · 124
Against the original (10A at 124 BPM), this version holds the same tempo in the same key.
Right On Track - Radio Edit runs 124 BPM in B minor (10A), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Booka Shade's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 98% of Booka Shade's catalogue
- Energy:
- hotter than 94% of Booka Shade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Right On Track - Radio Edit in?
Right On Track - Radio Edit by Booka Shade is in B minor, or 10A on the Camelot wheel.
What BPM is Right On Track - Radio Edit?
Right On Track - Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Right On Track - Radio Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Right On Track - Radio Edit good for peak time?
With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Booka Shade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
