Is It Wrong - Main Mix
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 72/100
- Pop
- 3/100
- Length
- 5:19
- Released
- 2018
- Album
- Is It Wrong
- Genre
- Uk Garage
- Loudness
- -7.2 dB
- Dynamics
- 9.9 dB
- ISRC
- GBKPL1802101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Is It Wrong - Billon Remixremix10B · 124
- Is It Wrong - Todd Edwards Dubversion8A · 124
- Is It Wrong - Control-S Remixremix9B · 130
- Is It Wrong - Dub Mixversion10A · 124
Is It Wrong - Main Mix: club-tempo uk garage, B minor (10A), 124 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Slower than 92% of Todd Edwards's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 85% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Is It Wrong - Main Mix in?
Is It Wrong - Main Mix by Todd Edwards is in B minor, or 10A on the Camelot wheel.
What BPM is Is It Wrong - Main Mix?
Is It Wrong - Main Mix runs at 124 BPM, a club-tempo track.
What mixes well with Is It Wrong - Main Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Is It Wrong - Main Mix good for peak time?
With energy 72 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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