Get Hi (Studio 54 mix)
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 71/100
- Pop
- 21/100
- Length
- 9:08
- Released
- 1995
- Genre
- House
- Loudness
- -7.5 dB
- Dynamics
- 11.1 dB
- ISRC
- USSR39645501
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Hi (Studio 54 mix) is a club-tempo house track in A minor (8A) at 124 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 1995 production that still circulates in sets. Groovier than 95% of Roger Sanchez's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 91% of Roger Sanchez's catalogue
- Reach:
- better known than 90% of Roger Sanchez's catalogue
- Tempo:
- slower than 84% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Get Hi (Studio 54 mix) in?
Get Hi (Studio 54 mix) by Roger Sanchez is in A minor, or 8A on the Camelot wheel.
What BPM is Get Hi (Studio 54 mix)?
Get Hi (Studio 54 mix) runs at 124 BPM, a club-tempo track.
What mixes well with Get Hi (Studio 54 mix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Get Hi (Studio 54 mix) good for peak time?
With energy 71 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.