Catch My Breath - Radio Edit
- Key
- 5A · C minor
- BPM
- 124
- Open Key
- 10m
- Energy
- 71/100
- Pop
- 11/100
- Length
- 3:08
- Released
- 2017
- Album
- Catch My Breath
- Genre
- Uk Garage
- Loudness
- -7.6 dB
- ISRC
- GBKPL1793516
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Catch My Breath - Todd Edwards Give Me a Minute Dubversion4A · 124
- Catch My Breath - Todd Edwards Vocal Mixoriginal5A · 124
Against the original (5A at 124 BPM), this version holds the same tempo in the same key.
Catch My Breath - Radio Edit is a club-tempo uk garage track in C minor (5A) at 124 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 2017 production that still circulates in sets. Slower than 92% of Todd Edwards's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 90% of Todd Edwards's catalogue
- Reach:
- better known than 88% of Todd Edwards's catalogue
Sonic profile
FAQ
What key is Catch My Breath - Radio Edit in?
Catch My Breath - Radio Edit by Todd Edwards is in C minor, or 5A on the Camelot wheel.
What BPM is Catch My Breath - Radio Edit?
Catch My Breath - Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Catch My Breath - Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Catch My Breath - Radio Edit good for peak time?
With energy 71 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 124 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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