Incidental
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 72/100
- Pop
- 8/100
- Length
- 6:12
- Released
- 2000
- Genre
- Uk Garage
- Loudness
- -7.5 dB
- Dynamics
- 9.8 dB
- ISRC
- GBCPZ0017862
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo uk garage cut, Incidental sits in B minor (10A) at 124 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2000 production that still circulates in sets. Slower than 92% of Todd Edwards's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 91% of Todd Edwards's catalogue
- Reach:
- better known than 82% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Incidental in?
Incidental by Todd Edwards is in B minor, or 10A on the Camelot wheel.
What BPM is Incidental?
Incidental runs at 124 BPM, a club-tempo track.
What mixes well with Incidental?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Incidental good for peak time?
With energy 72 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Change Your Mind [District 8] - Full Vocal Edit by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e027988d19449b35938f845e90c){kind=small}
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![You Get Lost In It [The Warehouse Project] - Instrumental by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/de48a82754bcbf85ea19.webp){kind=small}
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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