![Change Your Mind [District 8] - Full Vocal Edit by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e027988d19449b35938f845e90c)
Change Your Mind [District 8] - Full Vocal Edit
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 76/100
- Pop
- 11/100
- Length
- 4:12
- Released
- 2022
- Album
- Change Your Mind [District 8]
- Genre
- Deep House
- Loudness
- -8.3 dB
- Dynamics
- 14.7 dB
- ISRC
- GBKQU2245891
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Change Your Mind [District 8] - Full Vocaloriginal11A · 124
- Change Your Mind [District 8] - Instrumentaloriginal11A · 124
Against the original (11A at 124 BPM), this version holds the same tempo in the same key.
Change Your Mind [District 8] - Full Vocal Edit runs 124 BPM in F♯ minor (11A), a club-tempo deep house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 93% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 89% of Kerri Chandler's catalogue
- Reach:
- better known than 85% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Change Your Mind [District 8] - Full Vocal Edit in?
Change Your Mind [District 8] - Full Vocal Edit by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Change Your Mind [District 8] - Full Vocal Edit?
Change Your Mind [District 8] - Full Vocal Edit runs at 124 BPM, a club-tempo track.
What mixes well with Change Your Mind [District 8] - Full Vocal Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Change Your Mind [District 8] - Full Vocal Edit good for peak time?
With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.