Stand for Love - Extended Instrumental
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 77/100
- Pop
- 1/100
- Length
- 8:40
- Released
- 2024
- Album
- Stand for Love
- Genre
- Deep House
- Loudness
- -7.3 dB
- Dynamics
- 12.0 dB
- ISRC
- GBKQU2469306
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stand for Love - Radio Mixversion10B · 124
- Stand for Love - Extended Mixversion10B · 124
- Stand for Love - Dub Mixversion10B · 124
- Stand for Love - Reprise Mixoriginal10A · 124
Against the original (10A at 124 BPM), this version holds the same tempo and moves the key from 10A to 10B.
At 124 BPM in D major (10B), Stand for Love - Extended Instrumental is a club-tempo deep house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Stand for Love - Extended Instrumental in?
Stand for Love - Extended Instrumental by Ezel is in D major, or 10B on the Camelot wheel.
What BPM is Stand for Love - Extended Instrumental?
Stand for Love - Extended Instrumental runs at 124 BPM, a club-tempo track.
What mixes well with Stand for Love - Extended Instrumental?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Stand for Love - Extended Instrumental good for peak time?
With energy 77 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![Change Your Mind [District 8] - Instrumental by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e027988d19449b35938f845e90c){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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