Red Light Green Light - Pat Lok Remix
- BPM
- 124
- Open Key
- 3m
- Energy
- 76/100
- Pop
- 12/100
- Length
- 4:19
- Released
- 2019
- Album
- Red Light Green Light (For Club Play Only, Pt. 6 / Remixes)
- Genre
- House
- Loudness
- -6.2 dB
- ISRC
- GBUM71902822
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Red Light Green Lightoriginal10B · 124
- Red Light Green Light - Biscits Remixremix11B · 124
- Red Light Green Lightoriginal10B · 124
- Red Light Green Light - Riva Starr Remixremix8A · 124
Against the original (10B at 124 BPM), this version holds the same tempo and moves the key from 10B to 10A.
Red Light Green Light - Pat Lok Remix: club-tempo house, B minor (10A), 124 BPM. The feel is dark and driving. The groove is strong and floor-ready. Groovier than 93% of Duke Dumont's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 77% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Red Light Green Light - Pat Lok Remix in?
Red Light Green Light - Pat Lok Remix by Duke Dumont is in B minor, or 10A on the Camelot wheel.
What BPM is Red Light Green Light - Pat Lok Remix?
Red Light Green Light - Pat Lok Remix runs at 124 BPM, a club-tempo track.
What mixes well with Red Light Green Light - Pat Lok Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Red Light Green Light - Pat Lok Remix good for peak time?
With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
