Lost Nights
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 77/100
- Pop
- 1/100
- Length
- 6:43
- Released
- 2017
- Genre
- Tech House
- Loudness
- -7.6 dB
- Dynamics
- 10.9 dB
- ISRC
- FRZIN1700390
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost Nights - Ruben Mandolini Remixremix3A · 124
Lost Nights is a club-tempo tech house track in B♭ minor (3A) at 124 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Calmer than 85% of Ki Creighton's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 85% of Ki Creighton's catalogue
- Groove:
- groovier than 80% of Ki Creighton's catalogue
- Low end:
- more treble-tilted than 80% of Ki Creighton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lost Nights in?
Lost Nights by Ki Creighton is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Lost Nights?
Lost Nights runs at 124 BPM, a club-tempo track.
What mixes well with Lost Nights?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Lost Nights good for peak time?
With energy 77 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Ki Creighton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
