Smash It
- Key
- 6A · G minor
- BPM
- 124
- Open Key
- 11m
- Energy
- 76/100
- Pop
- 2/100
- Length
- 7:44
- Released
- 2023
- Album
- MAW Lost Tapes 5
- Genre
- House
- Loudness
- -10.9 dB
- ISRC
- GBKQU2354880
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Smash It - Drums MAW Dubversion6B · 124
Smash It: club-tempo house, G minor (6A), 124 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Smash It in?
Smash It by Masters At Work is in G minor, or 6A on the Camelot wheel.
What BPM is Smash It?
Smash It runs at 124 BPM, a club-tempo track.
What mixes well with Smash It?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Smash It good for peak time?
With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 124 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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