We Are One by Antrim cover art

We Are One

Antrim

30s preview

Key
5A · C minor
BPM
124
Open Key
10m
Energy
73/100
Pop
15/100
Length
8:19
Released
2021
Genre
Progressive House
Loudness
-9.2 dB
Dynamics
12.5 dB
ISRC
US83Z2124574

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

We Are One is a club-tempo progressive house track in C minor (5A) at 124 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 95% of Antrim's catalogue. In a set it works best as a floor-filler.

Low end:
more treble-tilted than 86% of Antrim's catalogue
Tempo:
faster than 78% of Antrim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood24Dark
Groove77
Acoustic6
Instrumental81
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is We Are One in?

We Are One by Antrim is in C minor, or 5A on the Camelot wheel.

What BPM is We Are One?

We Are One runs at 124 BPM, a club-tempo track.

What mixes well with We Are One?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is We Are One good for peak time?

With energy 73 out of 100 at 124 BPM, it works best as a floor-filler.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 124 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More progressive house

More from Antrim

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track