Summit
30s preview
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 8:41
- Released
- 2020
- Album
- Rubicks EP
- Genre
- Progressive House
- Loudness
- -12.0 dB
- Dynamics
- 11.8 dB
- ISRC
- GBJX31612039
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Summitoriginal9A · 124
A club-tempo progressive house cut, Summit sits in E minor (9A) at 124 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Jeremy Olander's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 92% of Jeremy Olander's catalogue
- Groove:
- groovier than 79% of Jeremy Olander's catalogue
- Brightness:
- darker than 78% of Jeremy Olander's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Summit in?
Summit by Jeremy Olander is in E minor, or 9A on the Camelot wheel.
What BPM is Summit?
Summit runs at 124 BPM, a club-tempo track.
What mixes well with Summit?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Summit good for peak time?
With energy 73 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Jeremy Olander
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
