Horny (Radio Slave and Thomas Gandey Just 17 Mix)
- BPM
- 124
- Open Key
- 6m
- Energy
- 76/100
- Pop
- 11/100
- Length
- 7:55
- Released
- 2012
- Album
- Horny (Radio Slave and Thomas Gandey Remixes)
- Genre
- Techno
- Loudness
- -9.8 dB
- ISRC
- USZXT2455678
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Horny (Radio Slave and Thomas Gandey Just 17 Acapella)version2A · 165
- Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix)version1A · 124
Horny (Radio Slave and Thomas Gandey Just 17 Mix): club-tempo techno, A♭ minor (1A), 124 BPM. A 2012 production that still circulates in sets. Better known than 92% of Radio Slave's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 88% of Radio Slave's catalogue
- Tempo:
- slower than 81% of Radio Slave's catalogue
- Groove:
- groovier than 77% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Horny (Radio Slave and Thomas Gandey Just 17 Mix) in?
Horny (Radio Slave and Thomas Gandey Just 17 Mix) by Radio Slave is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Horny (Radio Slave and Thomas Gandey Just 17 Mix)?
Horny (Radio Slave and Thomas Gandey Just 17 Mix) runs at 124 BPM, a club-tempo track.
What mixes well with Horny (Radio Slave and Thomas Gandey Just 17 Mix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Horny (Radio Slave and Thomas Gandey Just 17 Mix) good for peak time?
With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
![Heal My Heart (Dazzle Drums Remix) [feat. Treasa Diva Fennie] by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e0264d43a07c60b558d429e92e0){kind=small}
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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