Horny (Radio Slave and Thomas Gandey Just 17 Acapella)
30s preview
- BPM
- 165
- Half-time
- 83
- Open Key
- 7m
- Energy
- 30/100
- Pop
- 0/100
- Length
- 5:01
- Released
- 2012
- Album
- Horny (Radio Slave and Thomas Gandey Remixes)
- Genre
- Minimal
- Loudness
- -14.7 dB
- Dynamics
- 19.8 dB
- ISRC
- USZXT2455689
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Horny (Radio Slave and Thomas Gandey Just 17 Mix)version1A · 124
- Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix)version1A · 124
Horny (Radio Slave and Thomas Gandey Just 17 Acapella) is a very fast minimal track in E♭ minor (2A) at 165 BPM. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2012 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 96% of Radio Slave's catalogue
- Energy:
- calmer than 95% of Radio Slave's catalogue
- Low end:
- more treble-tilted than 94% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Horny (Radio Slave and Thomas Gandey Just 17 Acapella) in?
Horny (Radio Slave and Thomas Gandey Just 17 Acapella) by Radio Slave is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Horny (Radio Slave and Thomas Gandey Just 17 Acapella)?
Horny (Radio Slave and Thomas Gandey Just 17 Acapella) runs at 165 BPM, a very fast track.
What mixes well with Horny (Radio Slave and Thomas Gandey Just 17 Acapella)?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Horny (Radio Slave and Thomas Gandey Just 17 Acapella) good for peak time?
With energy 30 out of 100 at 165 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 165 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More minimal
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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