Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix)
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 7:55
- Released
- 2012
- Album
- Horny (Radio Slave and Thomas Gandey Remixes)
- Genre
- Techno
- Loudness
- -10.2 dB
- Dynamics
- 10.4 dB
- ISRC
- USZXT2455679
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Horny (Radio Slave and Thomas Gandey Just 17 Mix)version1A · 124
- Horny (Radio Slave and Thomas Gandey Just 17 Acapella)version2A · 165
A club-tempo techno cut, Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix) sits in A♭ minor (1A) at 124 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 81% of Radio Slave's catalogue
- Groove:
- groovier than 81% of Radio Slave's catalogue
- Brightness:
- brighter than 75% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix) in?
Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix) by Radio Slave is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix)?
Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix) runs at 124 BPM, a club-tempo track.
What mixes well with Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Horny (Radio Slave and Thomas Gandey Just 17 Dub Mix) good for peak time?
With energy 79 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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