Music Saves the World - Todd Terry's Freeze Mix
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 6:20
- Released
- 2020
- Album
- Music Saves The World (Todd Terry's Freeze Mix)
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 9.6 dB
- ISRC
- GBMVH2000880
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Music Saves the World - Todd Terry's Freeze Mix runs 125 BPM in G minor (6A), a club-tempo house record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 92% of Todd Terry's catalogue
- Energy:
- calmer than 88% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Music Saves the World - Todd Terry's Freeze Mix in?
Music Saves the World - Todd Terry's Freeze Mix by Todd Terry is in G minor, or 6A on the Camelot wheel.
What BPM is Music Saves the World - Todd Terry's Freeze Mix?
Music Saves the World - Todd Terry's Freeze Mix runs at 125 BPM, a club-tempo track.
What mixes well with Music Saves the World - Todd Terry's Freeze Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Music Saves the World - Todd Terry's Freeze Mix good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
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How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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