You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal)
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 72/100
- Pop
- 3/100
- Length
- 8:04
- Released
- 2009
- Genre
- Deep House
- Loudness
- -17.0 dB
- Dynamics
- 12.0 dB
- ISRC
- FR6V80988593
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal): club-tempo deep house, D♭ major (3B), 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More bass-heavy than 89% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 83% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal) in?
You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal) by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal)?
You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal) runs at 125 BPM, a club-tempo track.
What mixes well with You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is You Can't Lie (Kerri 'Kaoz 6:23' Chandler vocal) good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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