Nightshift (Todd Edwards Extended Mix)
30s preview
- Key
- 5A · C minor
- BPM
- 125
- Open Key
- 10m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2022
- Album
- Nightshift (Let's Do the Dance)
- Genre
- Uk Garage
- Loudness
- -7.4 dB
- Dynamics
- 10.6 dB
- ISRC
- ushm92277823
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nightshift (Todd Edwards Remix)remix4A · 125
- Nightshift (Todd Edwards Dub)version6A · 125
Nightshift (Todd Edwards Extended Mix): club-tempo uk garage, C minor (5A), 125 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 80% of Todd Edwards's catalogue
- Tempo:
- slower than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Nightshift (Todd Edwards Extended Mix) in?
Nightshift (Todd Edwards Extended Mix) by Todd Edwards is in C minor, or 5A on the Camelot wheel.
What BPM is Nightshift (Todd Edwards Extended Mix)?
Nightshift (Todd Edwards Extended Mix) runs at 125 BPM, a club-tempo track.
What mixes well with Nightshift (Todd Edwards Extended Mix)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Nightshift (Todd Edwards Extended Mix) good for peak time?
With energy 73 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 125 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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