End This Hate - Todd Edwards Mix
- Key
- 1B · B major
- BPM
- 125
- Open Key
- 6d
- Energy
- 73/100
- Pop
- 2/100
- Length
- 6:06
- Released
- 2021
- Album
- End This Hate (Todd Edwards Mix)
- Genre
- Uk Garage
- Loudness
- -7.0 dB
- ISRC
- USNRS2141296
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
End This Hate - Todd Edwards Mix: club-tempo uk garage, B major (1B), 125 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Slower than 77% of Todd Edwards's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is End This Hate - Todd Edwards Mix in?
End This Hate - Todd Edwards Mix by Todd Edwards is in B major, or 1B on the Camelot wheel.
What BPM is End This Hate - Todd Edwards Mix?
End This Hate - Todd Edwards Mix runs at 125 BPM, a club-tempo track.
What mixes well with End This Hate - Todd Edwards Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is End This Hate - Todd Edwards Mix good for peak time?
With energy 73 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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