Raining Again - Roger Sanchez Black Rain Remix
30s preview
- BPM
- 125
- Open Key
- 7d
- Energy
- 79/100
- Pop
- 20/100
- Length
- 6:17
- Released
- 2023
- Album
- Raining Again (Roger Sanchez Black Rain Remix)
- Genre
- House
- Loudness
- -9.2 dB
- Dynamics
- 10.9 dB
- ISRC
- DETO32300082
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Raining Again - Roger Sanchez Black Rain Remix Editremix4A · 125
Raining Again - Roger Sanchez Black Rain Remix: club-tempo house, F♯ major (2B), 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 89% of Roger Sanchez's catalogue
- Reach:
- better known than 88% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Raining Again - Roger Sanchez Black Rain Remix in?
Raining Again - Roger Sanchez Black Rain Remix by Roger Sanchez is in F♯ major, or 2B on the Camelot wheel.
What BPM is Raining Again - Roger Sanchez Black Rain Remix?
Raining Again - Roger Sanchez Black Rain Remix runs at 125 BPM, a club-tempo track.
What mixes well with Raining Again - Roger Sanchez Black Rain Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Raining Again - Roger Sanchez Black Rain Remix good for peak time?
With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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