Sweet Jesus
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 80/100
- Pop
- 5/100
- Length
- 6:27
- Released
- 1998
- Genre
- Uk Garage
- Loudness
- -6.2 dB
- Dynamics
- 9.6 dB
- ISRC
- GBCPZ9818007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo uk garage cut, Sweet Jesus sits in D♭ major (3B) at 125 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1998 production that still circulates in sets. Brighter than 90% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 77% of Todd Edwards's catalogue
- Reach:
- better known than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Sweet Jesus in?
Sweet Jesus by Todd Edwards is in D♭ major, or 3B on the Camelot wheel.
What BPM is Sweet Jesus?
Sweet Jesus runs at 125 BPM, a club-tempo track.
What mixes well with Sweet Jesus?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Sweet Jesus good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Rain - (Vocal Remix) [Harry Romero Edit] by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e02f3d5a240d2650b0c9cea956c){kind=small}
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
![Never Thought [Printworks] - 623 Again Vocal by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0bfe745df4b497769804.webp){kind=small}
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.