Love Don't Love Me - Shermanology Mix by Zed Bias cover art

Love Don't Love Me - Shermanology Mix

Zed Bias

Key
4A · F minor
BPM
132
Open Key
9m
Energy
78/100
Pop
0/100
Length
3:27
Released
2017
Album
Love Don't Love Me
Genre
Uk Garage
Loudness
-4.9 dB
ISRC
UK2371300167

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo uk garage cut, Love Don't Love Me - Shermanology Mix sits in F minor (4A) at 132 BPM. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. A 2017 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood66Balanced
Groove79
Acoustic7
Instrumental1
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Love Don't Love Me - Shermanology Mix in?

Love Don't Love Me - Shermanology Mix by Zed Bias is in F minor, or 4A on the Camelot wheel.

What BPM is Love Don't Love Me - Shermanology Mix?

Love Don't Love Me - Shermanology Mix runs at 132 BPM, a peak-time tempo track.

What mixes well with Love Don't Love Me - Shermanology Mix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Love Don't Love Me - Shermanology Mix good for peak time?

With energy 78 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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