Perfect Love - New Love Remix
30s preview
- BPM
- 132
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 3/100
- Length
- 6:06
- Released
- 2001
- Album
- New Trends Sounds 2004 (Part 1)
- Genre
- Uk Garage
- Loudness
- -5.2 dB
- Dynamics
- 10.6 dB
- ISRC
- GBCPZ0418253
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Perfect Loveoriginal11A · 128
- Perfect Love - Biscits Extended Remixremix11A · 128
- Perfect Loveoriginal10B · 128
Against the original (11A at 128 BPM), this version runs 4 BPM faster and moves the key from 11A to 10B.
A peak-time tempo uk garage cut, Perfect Love - New Love Remix sits in D major (10B) at 132 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2001 production that still circulates in sets. Groovier than 97% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Perfect Love - New Love Remix in?
Perfect Love - New Love Remix by Todd Edwards is in D major, or 10B on the Camelot wheel.
What BPM is Perfect Love - New Love Remix?
Perfect Love - New Love Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Perfect Love - New Love Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Perfect Love - New Love Remix good for peak time?
With energy 79 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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